MY THOUGHTS ON THE WORLD'S FAIR SET
First, I wanted to give a big CONGRATULATIONS and THANKS to Randy (and everyone else) who worked on the World's Fair set!
I bought a copy at the Virgin Megastore at WDW, (my last ever purchase there, since it's sadly closing) during my recent seasonal stay in Florida, but didn't listen to it until I got back to New Orleans for the summer, in an attempt to keep the discs clean and unscratched (I only had a portable CD player and car player there with me)
One of the nice side-effects about being old-school about the way I aquire music is, I never heard any of the bootlegs floating around, so most of the material on the set was new to me!
Here are some thoughts about the set:
SMALL WORLD
I LOVE the new Small World ride-through!
Not a knock on the late great Bruce Gordon at all, or other Imagineers who had worked on the original version of the set, but when I first heard the plans for the set did not include a traditional ride-through of IASW with vocals, and would just have a score-only mix, I was disappointed and lost a lot of enthusiasm for the project.
But by adding the thorough and comprehensive ride-through, (my fave track on the set!) Randy has filled this void, and also made the supplemental IASW material more enjoyable for what it is - an interesting look at the musical elements of the attraction that do NOT serve as a substitute for getting the attraction soundtrack itself!
The mix on the DL 50th set is still much beloved by me as well, and has many strengths - the ride time is more accurate, the Polynesian/Oceania room is represented, you can hear the hyenas as they appear now, etc.)
But I like how the new version lingers longer for each scene and loop, and you can close your eyes and picture yourself longer in the Africa and Latin America rooms, for instance (since they have fewer loops these go by faster than the earlier rooms, but get more exposure in the new mix). IASW is to this day one of my all time favorites, (and my fave attraction on the set) and I'm glad to see it get such deluxe treatment on this disc.
PROGRESSLAND
Again, I commend the inclusion of the actual soundtrack of CoP to the set. Although similar to the DL 50th version, it's nice to have it here, as to me the point of any audio set about attractions should at least have a soundtrack to those attractions attempting to recreate their audio as they were actually experienced!
The alternate universe version is very interesting in and of itself, but would have been disappointing to me had it been the only version of the show on the set. The actual finished fair version IMO is tighter and has more warmth and humor, and more importantly, Rover! What would the CoP be without Rover? (and his various aliases

.
What's interesting about having the longer, earlier version on here to compliment the finished WF iteration is that one can get some insight into the process of how the Imagineers work/worked towards improving and strengthening their ideas.
(As a side note, although I can be quite the "purist", in many ways the current WDW version is my favorite version of the show, as the last Christmas scene with the whole family together really feels warm to me, but I digress.)
Toucan and the Parrot - What a charming little gem that I never even knew existed before I got this set! I love animal AA's, and I can just close my eyes and picture the birdies talking to one another.
Mirror Maze - What a great cue! At around 2:15 I thought, where have I heard this recording before? I'm pretty sure it's used as backround music at the sublime Walt Disney: One Man's Dream exhibit at Disney's Hollywood Studios at WDW. I really like the motif that runs from around 2:10 to 3:00 in this track. It kind of reminds me of the qualities I like about "Monorail Music".
MR. LINCOLN
I really enjoy the score-only tracks. I've heard the dialogue so many times on the 50th (and this is not meant as a slight to Lincoln at all) that a lot of times if I'm not in the mood to focus on something serious and presidential when listening to the 50th set, I subconsiously find myself focusing more on the music than the words. These score-only tracks allow Buddy Baker's score to shine through as great pieces of music on their own merit.
Note that this is not a complaint about dialogue being included on the 50th. My first choice would always be to recreate the attraction, with "score-only" being a nice "bonus feature" as it is presented here.
In gerenral I'm a bigger fan of score-only tracks when the only thing being ommited is dialogue or sound effects, as on Lincoln. Since I consider lead vocals of a song to be part of the musical experience, ommiting those when I've experienced it takes some getting used to. But in the case of IASM and CoP on this set, since the versions with vocals are already presented as part of the attraction soundtracks themselves, I can enjoy the isolated score tracks more for what they are.
MAGIC SKYWAY
I read the book (which is excellent, by the way!) before I played the discs, for reasons mentioned above. When I read about George Bruns' score for Magic Skyway being included with Walt's narration, I thought " I wonder if this includes the music used to underscore the behind the scenes-type look at the caveman sequence on the Disneyland Goes To The World's Fair anthology epsode". And happily, it does!
Other favorite tracks on Disc 4 for me include the music loop from International Gardens and of course Auto Parts Harmonic, which like the Toucan/Parrot AA show on Disc 1 is for me another charming gem I never even knew existed until I got the set!
An interesting thing I've noticed about this track is the book lists the song titles as "Humphrey Hop", "Parts, Inc.", and "Nineteen Twenty Five", yet the last piece sounds a lot like a different arrangement of "Happy Rag" from the New Orleans Square section of the 50th set. Could this piece have more than one name?
Likewise, the track labeled "Nation On Wheels" is not the track of the same name on the 50th set - this track is actually called "Monorail Song" on the 50th set!
FINAL THOUGHTS
Thanks again Randy, for such a great set. I can't help but hope that if something like this can happen, then hopefully the park that's been described as Disney's "permanent World's Fair" - Epcot, can get some boxed set love too! (either on it's own or as part of a long-awaited WDW box :lol:
David