Well, not music notes per se, I mean notes about the music notes and, oh, you know what I mean.
I bought two more titles this Saturday morning. The burner was up and running. They're still using the Mitsui blanks, thank goodness. I'd heard rumors that they'd switched to cheapys.
I was very disappointed by one of the discs, though. The Mellomen's originally mono "Meet Me Down on Main Street" has had a big dollop of boomy, bass-heavy digital reverb applied to it in mastering. I don't have the original vinyl to compare it to, but since the reverb is stereo, it couldn't possibly have been there to start with. I find it quite distracting, especially on Thurl's solos, which have that wall-shaking exaggerated bass sound that they usually apply to doo-wop records to shore up a weak bassman. Thurl sure don't need it, and it kind of messes with the whole Barber Shop balance thing.
Perhaps it was mastered from dry session tapes and then doctored in an attempt to match the sound of the original. Is there an owner of the original vinyl who can do a play-check? The sound is not entirely out of line with some of the more exasperating engineering techniques of the late 50s (thanks a heap, Mitch Miller) except that it sounds like it's being digitally recreated rather than using a real echo chamber. And I don't recall Disney's engineers going for that sound much, at least in the 50s.
I bought two more titles this Saturday morning. The burner was up and running. They're still using the Mitsui blanks, thank goodness. I'd heard rumors that they'd switched to cheapys.
I was very disappointed by one of the discs, though. The Mellomen's originally mono "Meet Me Down on Main Street" has had a big dollop of boomy, bass-heavy digital reverb applied to it in mastering. I don't have the original vinyl to compare it to, but since the reverb is stereo, it couldn't possibly have been there to start with. I find it quite distracting, especially on Thurl's solos, which have that wall-shaking exaggerated bass sound that they usually apply to doo-wop records to shore up a weak bassman. Thurl sure don't need it, and it kind of messes with the whole Barber Shop balance thing.
Perhaps it was mastered from dry session tapes and then doctored in an attempt to match the sound of the original. Is there an owner of the original vinyl who can do a play-check? The sound is not entirely out of line with some of the more exasperating engineering techniques of the late 50s (thanks a heap, Mitch Miller) except that it sounds like it's being digitally recreated rather than using a real echo chamber. And I don't recall Disney's engineers going for that sound much, at least in the 50s.